The Good Doctor

Peruzzi disappoint us; nyomke confusion-Dami Ajayi

I am hard-pressed to declare Peruzzi an original artist. Here is why: he has had…

Waje’s “Red Velvet” is made for lazy Saturday mornings – Dami Ajayi

Five years after her self-titled and critically acclaimed debut, Words Aren’t Just Enough, Waje, whose…

A minute silence for those we lost in 2018 – Dami Ajayi

A birth and a death; both mark our points of entry and exit into and…

The Ultimate 2018 Playlist for Dancing in Lagos- Dami Ajayi

Dance is an integral part of cities, like Lagos, which is in constant motion. The…

Haba, there are bad songs on “No Bad Songz”- Dami Ajayi

More than two years after his debut album, “New Era”, Kizz Daniel has had to…

Mayorkun: The Mayor of Lagos Babes – Dami Ajayi

It has been a long haul for Mayorkun since Eleko, his soul-stirring, prayer-invoking, ancestor-inviting, Nollywood-inspired,…

Life is Eazi, Vol. 2: Lagos to London-Dami Ajayi

Whoever thought a post-modern minstrel like Mr Eazi was going to rest on his oars…

Abiodun “Breaks Free” with new album – Dami Ajayi

IT has been a while since the turn of millennium when the BANTU Collective came…

Abeg no more palmwine from “Show Dem Camp” – Dami Ajayi

Circa 1920: Working class people living in colonised coastal cities in West Africa had a…

Shoot me; but Yemi Alade is No. 1 – Dami Ajayi

In a music industry  skewed towards male musicians, a handful of female Nigerian musicians have…

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