With the release of Dwayne Johnson’s Black Adam this Friday, and DC Films head Walter Hamada quietly ending his tenure in the coming days, DC is charting into truly unknown territory.
In fact, without a permanent leader to guide the stable of some of the biggest and best known pop culture characters in the world, DC is seeing a secret, but dramatic land grab amongst some of the biggest players in Hollywood.
Johnson is publicly touting his vision for a future Black Adam versus Superman movie, with his words stoking fan desires to see Henry Cavill return as the red-caped hero. Matt Reeves is plotting an expansion of his The Batman universe, while J.J. Abrams remains in the mix as well with his own plans.
Sources tell THR that Gunn and producer Peter Safran are in talks with Warners for a mystery movie, possibly more, that Gunn would tackle. (Safran is already in the DC business, being a producer on Shazam! and its upcoming sequel, as well as Aquaman and that movie’s sequel.)
Warners had no comment, but as one insider observes, a carving of the comic company’s intellectual assets is happening. “DC is definitely in play,” says this person. How much play may depend on your perspective from inside or outside the studio.
While it isn’t clear what hero or teams Gunn is targeting, and the writer-director would focus on a second season of Peacemaker first, the studio’s eyes are very much on Superman. Under Warner Bros. Discovery CEO David Zaslav and Warner Bros. Pictures heads Michael De Luca and Pam Abdy, Warners has an intense desire to reprise the Cavill iteration of the hero. The project that would essentially be Man of Steel 2 is being produced by Charles Roven and is currently in a search for writers. (There is a wishlist, of course. And Christopher McQuarrie, the hand that guides the Mission: Impossible movies was on it. McQuarrie worked with Cavill on the 2018 installment, Fallout, but sources say no official outreach has been made nor may it be feasible, as the director is working on the next back-to-back Impossible installments.)
Johnson, however, has Superman plans of his own, and has been very vocal about his desire to make a Black Adam versus Superman movie, a desire he has only reiterated more frequently in the lead up to Adam. This comes as he talks up his “surprise” cameo at the end of Adam, with the actor all but stating that Cavill will appear. Insiders are wondering if those calls are intended to goose the movie’s opening weekend box office numbers or to maneuver Superman onto his own chess square, or perhaps both.
Whatever the case, Johnson is definitely at the center of Cavill’s return to DC, which was not without some drama of its own. Johnson’s manager is Dany Garcia, his former wife who is also his producing partner at Seven Bucks Entertainment. Garcia also happens to represent Cavill.
Superman, as well as Cavill, were not in the initial plans for Black Adam. The idea was hatched during a round of reshoots for the movie earlier this year, but the cameo was nixed by Hamada, the executive who for the last four years had tried hard to move DC beyond the era where one filmmaker, in this case Zack Snyder, had an inordinate amount of influence and could command an entire slate for years. Hamada had his own Superman plans, one of them involving introducing a Black Superman with a multi-decade-spanning story by writer Ta-Nehisi Coates.
After Hamada said no, Johnson went around the executive, turning to De Luca and Abdy, who gave it the thumbs up. A furious round of negotiating occurred before Labor Day, a deadline insisted by Warners, with the scene shot in mid-September.
Meanwhile, in Gotham City, filmmaker Reeves is quietly making his own expansion plans. Reeves is developing a sequel to his The Batman, which grossed a respectable $770.8 million worldwide when it was released in March. Already, a series spinoff focusing on Colin Farrell’s Penguin is on its way to filming next year. But Reeves is plotting more. The filmmaker is meeting with writers and directors to build out movies — yes movies, not just series — focused on Batman rogue’s gallery, both established and more obscure, with characters ranging from the Scarecrow to Clayface to Professor Pyg. All those projects are in the very early stages of gestation.
It is unclear where the Superman moves leave Abrams, who is still on track to produce Coates’ movie centered on the last son of Krypton. That feature would exist outside any larger DC movie continuity, much like Todd Phillips Joker movies. The mega-producer had a few setbacks when some of his DC shows — based in the supernatural corners of DC and featuring characters such as Constantine and Zatanna — were scrapped at WBD’s HBO Max streaming service. They are now being shopped to other streamers. But he is not out of the game and is yet another Hollywood power in the mix vying for a piece of the DC pie.
All of this takes place as Hamada, who did not attend the Adam premiere in New York Oct. 12, packs away the final personal effects from his Burbank studio lot office ahead of his last day some time this week. The executive is not even taking a producing deal with the studio, a move that is traditional amongst execs who are being let go but given a soft landing and a courteous “thank you for your service.” To many, that action speaks volumes about how rough the transition from the AT&T era to Discovery under Zaslav has been, including the controversial cancellation of the Batgirl movie in August. (THR)
