A decade after its debut, Kakadu the Musical‘s opening night on Thursday at the Shell Hall of the Muson Centre in Lagos proved its timeless relevance and captivating power.
Uche Nwokedi, the show’s writer and producer, hit the nail on the head when he stated that the play’s central question, “How do we build a nation?”, continues to resonate deeply with Nigeria’s national consciousness.
But Kakadu is more than just a thought-provoking commentary. It’s a feast for the senses, an enthralling spectacle fueled by brilliant music, stunning visuals and stellar acting. Ben Ogbeiwi, a veteran of the musical, shines as Lugard, while newcomers like Ralph Okoro (Emeka) and Flora Ayodele (Amonia) inject fresh energy into the production.
Alongside actors like Emmanuel Ajumogobia (Chief Tunde), Samuel Tom (Kola), Okey Egbomuche (Dapo), David Favoice (Osahon), Sharon Adaeze (Bisi), Justin Dimaku (Ezennia) and a host of others including a white dude who played Mr Ramsbottom, they make this a must watch.
The musical’s journey from colonial Lagos to the post-civil war era is a rollercoaster of emotions. The infectious joy of independence gives way to the despair of conflict, all portrayed through a diverse tapestry of musical styles that encompass highlife, soul, pop and Afrobeat. The costumes and choreography further contribute to the immersive experience, transporting the audience back to a vibrant and turbulent time in Nigeria’s history.
Beyond the entertainment, Kakadu delivers a powerful message. It highlights the importance of unity, peace and hope in the face of adversity. A significant message particularly at this point of the country’s history where there is a lot of disillusionment especially with the ruling class. The characters’ relationships, tested by war and political upheaval, remind us of the enduring power of human connection.
But it’s the music that truly steals the show. From the evocative “Eko Akete” to the foot-stomping “Saturday Night,” the soundtrack is a celebration of Nigerian musical heritage. Lugard’s performance of “Limbo Time,” and indeed the other songs carried by his velvety voice, proves he’s still got the moves, while Amonia’s “She Looks Good” is a sassy anthem for female empowerment. All the songs rock and the only reason the audience does not break into dance during the production is due largely to decorum.
The nightclub scenes are particularly vibrant and energetic, capturing the infectious spirit of Lagos, just like the other scenes that depict street life, war and even a marriage ceremony.
To say that Kakadu the Musical is a masterpiece is stating the obvious. It is a testament to the resilience and creativity of the Nigerian people, a tribute to their rich culture and a call for unity and hope in the face of challenges. It’s a show that will make you laugh, cry, sing, dance and most importantly, think and feel. It’s a show that will stay with you long after the curtain falls. Which is why leaders at every level in the country must come out and see this important piece of the ongoing Nigerian history before it closes on December 30.
The message of unity and hope so resonated strongly with the audience that they gave the cast a standing ovation at the end.
If you have the opportunity to see Kakadu the Musical, don’t hesitate. It’s an experience you won’t forget.
