Samuel Osaze’s compelling documentary, “Ema/Udeh: Ancient Healing Tattoo of the Esan People,” has garnered significant international recognition, receiving nominations at both the 2025 Windsor International Black Film Festival (WIBFF) and the inaugural Authentic Global Film Awards.
The documentary, which delves into the traditional Ema/Udeh tattoo practice of the Esan people in Edo State, Nigeria, continues to captivate audiences and critics alike. Its nomination for the 2025 Windsor International Black Film Festival comes just months after it was recognized by the Authentic Global Film Awards in Los Angeles.
“We are thrilled to announce that your film has been nominated for the 2025 Windsor International Black Film Festival!” an excited representative from WIBFF shared in a nomination letter. “This is an incredible honor, and we’re truly excited by the possibility of celebrating your work among this year’s standout storytellers.”
Earlier this year, “Ema/Udeh” was selected from over 3,000 submissions worldwide for the Authentic Global Film Awards, which took place on May 21. The awards celebrate groundbreaking storytelling and cinematic excellence. Dr. Gershom Sikaala, representing the Authentic Global Film Awards, had extended warm congratulations to Osaze, stating, “This nomination honours your creative achievement and invites you to share your story with the world.”
“Ema/Udeh,” which meticulously explores the Ema/Udeh traditional tattoo, which serves as both a curative and artistic practice, particularly in treating splenomegaly (swollen spleen),is now eligible for non-exclusive distribution on Authentic TV (ATV), a platform dedicated to showcasing exceptional films to a worldwide audience.
Beyond its medicinal, aesthetic, and spiritual significance, the documentary investigates how this ancient practice has persisted into the 21st century despite the dominance of modern medicine. It probes critical questions such as the comparison between Ema/Udeh and modern tattoos, its preference over orthodox medicine in certain contexts, the endemic nature of splenomegaly among the Esan people, and the potential for this practice to align with global health standards.
“Ema/Udeh” features diverse perspectives from practitioners, locals, academics, and medical experts, fostering a crucial dialogue to improve healthcare synergy. The film eloquently demonstrates how Ema/Udeh not only treats ailments but also transforms the body into a canvas, blending healing and artistry. This convergence highlights the dual role of Ema/Udeh artists as both healers and creators, preserving cultural heritage while addressing health needs and underscoring the potential for traditional methods to coexist with modern healthcare for holistic well-being.